The two main sites for the exhibitions, the City Hall and South Beach Development, are also very appropriate for many of the art work. The City Hall offers a rather quaint environment and the allocation of a single room to each exhibition actually sets the individual exhibit apart from each other. As for the South Beach Development, the site is rather rustic and it has a "raw" feel to it.
The exhibits in City Hall I feel are more "refined" and "sophisticated" to a certain extend and thus are very suitable to be exhibited in City Hall which eludes a sombre feel. The South Beach Developement on the other hand, has exhibits that are rather "raw" like the "Beauty and the Beast" exhibit which comprises of images of sculptures made of chewing gum.
On the whole, I feel there is a rather good mix of photography, sculptures, installations and videos on show at the Singapore Biennale 2008 and the choice of site for each installation compliments the work of each individual artiste to enhance the overall visual experience.
One of my favourite installions would be the "Impossibility of the Superstring Theory". It is actually a drawing installation by Joshua Yang at the South Beach Development.
Yang's work was actually influenced by the scientific conundrum of the Superstring Theory. His method of working is based on a strict system: 1) The line must not intersect itself at any point, 2) the line must be contiuous and have no breaks. From the above picture, we can see that he pays alot of attention to small details and is interesting how his art interacts with the pre-existing features at the installation site.
The South Beach Development is originally a site slated for revamp sometime next year. As such, the place is rather run down. The area allocated to Yang for his work is rather big but at certain corners around the site, there are rust marks and stains on the ceilings and floors. However, he has amazingly incorporated such imperfections of the site into his work, blending such spots with paint to incorporate them as part of his overall installation.
From the above photo, you can see that much effort has been put in to incorporate both the floor and ceiling as part of his installation as well. Yang has maximised the use of the space allocated for his work and this gives viewers a feel of continuation and flow.
It would be interesting to see this artiste's work again perhaps at another site. I am sure he would be able to come up with yet another spectacular piece of installation.
However, there are also installations that I do not really know how to appreciate. I believe it has its own merits but it just didnt suit my taste and I do not know how to appreciate it.
One example would be the "September Sweetness" by Thein, Chaw Ei; Streitmatter-Tran, Rich and Ko, Aung.
When I was there at the installation site at South Beach Development, I was greeted with a stale and weird smell and a site of white shabbles.
It is hard to imagine that these were actually sugar blocks.
When I referred to the guide book, I realise that these white sugar blocks were actually used to build this pagoda above. "Three artists worked closelt with structural engineers and cooks to come up with a solid sugar composition that could then be poured into moulds to create the final structure." It sure does seem like a great deal of work was put into it.
Sugar was actually deliberately used as it is fragile and could be used to establish the idea "of a slow loss of systemic structure (in Myanmar) that has been in pace for centuries".
The concept behind this installation is good but I feel it would be better if the installation had not disintegrated at such a rapid rate. It is a pity that a photo documentation of the initial installation was not available at the site to allow comparision betweeen the current state of the installation and the initial work of the artiste. I think a comparison would allow a better understanding of the artistes intentions and concept behind their work.
Another disappointment on the installation is that visitors were warned against the presence of bees (which were suppose to be part of the installation) but all we saw were...
Dead bees stuck to the installation.
However, due credit must be granted to the choice of site as it 1) Exposes the installation to natural climate to bring about the intended deterioration 2) Enable easy clean up of the place after the exhibit 3) Prevents pests like ants from infesting other exhibits on show.
Singapore Biennale 2008 has certainly exposed me to a greater variety of art and I am certainly looking forward to Singapore Biennale 2009.


I deliberate framed this picture in such a way that the chair remains fairly in a corner of the photo and there is light shining in from the other end of the photo. This actually cast a shadow on the chair and further enhances the gloomy, and dull atmosphere surrounding the chair. Through this, I hope to bring across the feeling of lonliness that the chair might be experiencing. 


3) Angel of View - This photo was taken at a slightly above eye level view. It was taken at a slightly elevated angle perhaps to give the viewers a overview of the whole situation. It is particularly interesting that the photographer has taken it seemingly from the perspective of the protester.